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d’apr\u00e8s le roman \u00ab\u00a0INTERSECTIONS\u00a0\u00bb de J. Tirari<\/p>\n
Adaptation of the book \u201cIntersections\u201d by J.Tirari.<\/strong><\/p>\n <\/p>\n [\/et_pb_text][et_pb_button button_url=\u00a0\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMjIifX0=@\u00a0\u00bb button_text=\u00a0\u00bbRetour aux Productions\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _dynamic_attributes=\u00a0\u00bbbutton_url\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb14px\u00a0\u00bb button_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_bg_color=\u00a0\u00bb#f9002b\u00a0\u00bb button_border_width=\u00a0\u00bb0px\u00a0\u00bb button_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb button_font=\u00a0\u00bbMontserrat|600||on|||||\u00a0\u00bb button_icon=\u00a0\u00bb||divi||400″ button_icon_placement=\u00a0\u00bbleft\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb custom_padding=\u00a0\u00bb15px|25px|15px|38px|true|false\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#6e42ff\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb button_bg_enable_color__hover=\u00a0\u00bbon\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbInfo\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ text_font=\u00a0\u00bbMontserrat|500|||||||\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Court m\u00e9trage de Jonathan Tirari en d\u00e9veloppement d’un long m\u00e9trage produit enti\u00e8rement par Double Clap<\/span><\/p>\n Le film est fini, bient\u00f4t en salle.<\/span><\/p>\n A short film by Jonathan Tirari, in development as a feature film produced entirely by Double Clap.<\/p>\n The film is finished, coming soon to theaters.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ text_text_color=\u00a0\u00bbrgba(255,255,255,0.5)\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Le livre \u00ab Intersections \u00bb est sorti en janvier 2020 et est disponible dans plus de 7 000<\/p>\n librairies prestigieuses en France, en Belgique, en Suisse et au Qu\u00e9bec, notamment<\/p>\n chez Fnac, Passaporta, Standard Boekhandel, Les Yeux Gourmands et La Licorne.<\/p>\n The book Intersections was released in January 2020 and is available in over 7,000 prestigious bookstores in France, Belgium, Switzerland and Quebec, including Fnac, Passaporta, Standard boekhandel, Les yeux gourmands, and La licorne.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/MK8F9rdFyvk\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/LByY39EAc4E\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb column_structure=\u00a0\u00bb1_2,1_2″][et_pb_column _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb1_2″][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n Synopsis<\/strong><\/p>\n Karim parvient \u00e0 d\u00e9crocher un rendez-vous galant avec Marie-Louise, la femme la plus<\/p>\n convoit\u00e9e de l\u2019entreprise.Jean manager dans une banque rentre dans le m\u00e9tro Bruxellois<\/p>\n et bouscule un adolescent qui prie en silence. Les passagers se retournent lorsqu\u2019ils<\/p>\n entendent \u00ab Allahou Akbar \u00bb, suivi d\u2019une explosion. Jean s\u2019\u00e9vanouit. Lorsqu\u2019il se r\u00e9veille,<\/p>\n une femme au visage d\u2019ange lui caresse le front. Elle est musulmane. Malgr\u00e9 leurs<\/p>\n pr\u00e9jug\u00e9s et leurs diff\u00e9rents chemins de vie, la m\u00eame envie se manifeste : d\u00e9couvrir<\/p>\n l\u2019autre.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb1_2″][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n Synopsis<\/strong><\/p>\n Karim manages to score a date with Marie-Louise, the most sought-after woman in the<\/p>\n company. Jean, a bank manager, steps onto the Brussels metro and bumps into a<\/p>\n teenager who is praying silently. The passengers turn around when they hear \u201cAllahu<\/p>\n Akbar,\u201d followed by an explosion. Jean faints. When he wakes up, a woman with an<\/p>\n angelic face is stroking his forehead. She is Muslim. \u00a0Despite their prejudices and their<\/p>\n different life paths, the same desire emerges: to discover the other.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb column_structure=\u00a0\u00bb1_2,1_2″][et_pb_column _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb1_2″][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n Note d’intention<\/strong><\/p>\n D’un p\u00e8re tunisien et d’une m\u00e8re anglaise, auteur du livre \u00ab Intersections \u00bb, j’ai r\u00e9alis\u00e9 le court-m\u00e9trage du m\u00eame titre au lendemain des attentats du 22 mars. Apr\u00e8s l’attaque, alors que je me trouvais moi-m\u00eame dans le m\u00e9tro \u00e0 quelques stations de l\u00e0, j’ai appris qu’un de mes coll\u00e8gues \u00e9tait devenu sourd d’une oreille. Cela m’a rappel\u00e9 un ancien camarade de classe qui avait quitt\u00e9 le pays pour aller se battre et mourir.<\/p>\n \u00c0 travers ce livre et ce film, j\u2019ai d\u00e9cid\u00e9 d\u2019explorer la complexit\u00e9 de l\u2019identit\u00e9 et la tension entre tradition et modernit\u00e9, en plongeant dans la vie de personnages dont l\u2019existence est marqu\u00e9e par la confrontation entre des convictions profond\u00e9ment ancr\u00e9es et des r\u00e9alit\u00e9s en mutation.<\/p>\n C\u2019est un voyage intellectuel et \u00e9motionnel qui nous invite \u00e0 r\u00e9fl\u00e9chir sur la nature de la radicalisation et sur la mani\u00e8re dont les rep\u00e8res culturels s\u2019entrem\u00ealent pour forger notre \u00eatre.<\/p>\n Le film explore la mani\u00e8re dont l\u2019exp\u00e9rience personnelle se refl\u00e8te dans les clivages sociaux et politiques, offrant un espace de dialogue. Il encourage les spectateurs \u00e0 remettre en question leurs certitudes et \u00e0 s\u2019ouvrir \u00e0 la richesse d\u2019une humanit\u00e9 plurielle et complexe.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb type=\u00a0\u00bb1_2″][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n Note of intent <\/strong><\/p>\n A Tunisian father and English mother, author of the book \u201cIntersections\u201d, I made the short film of the same title in the aftermath of the March 22 attacks. After the attack, when I myself was in the metro a few stations away, I learned that my colleague had gone deaf in one ear. It reminded me of an old classmate who had left the country to fight and die.<\/p>\n Through this book and film, I decided to explore the complexity of identity and the tension between tradition and modernity, by delving into the lives of characters whose lives are marked by the confrontation between deep-seated convictions and changing realities.<\/p>\n It\u2019s an intellectual and emotional journey that invites us to reflect on the nature of radicalization and the way in which cultural reference points intertwine to forge our being.<\/p>\n The film explores how personal experience is reflected in social and political cleavages, offering a space for dialogue. It encourages viewers to question their certainties and open up to the richness of a plural and complex humanity.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb20px\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Teaser court-m\u00e9trage \u00ab\u00a0Intersections\u00a0\u00bb<\/p>\n Clic sur Regardez la vid\u00e9o sur Youtube<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb20px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Court-m\u00e9trage \u00ab\u00a0Intersections\u00a0\u00bb 20 minutes<\/p>\n Clic sur Regardez la vid\u00e9o sur Youtube<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16″ 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samedi matin. Formation Pro le jour 500 heures . Formation Pro le soir formule de 6 \u00e0 9 heures semaine. Des stages, des Masters Class.\u00a0<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb link_text_align=\u00a0\u00bbleft\u00a0\u00bb link_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb header_4_font=\u00a0\u00bbMontserrat|700||on|||||\u00a0\u00bb header_4_text_color=\u00a0\u00bbrgba(255,255,255,0.5)\u00a0\u00bb header_4_font_size=\u00a0\u00bb14px\u00a0\u00bb header_4_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb header_4_line_height=\u00a0\u00bb1.4em\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb max_width=\u00a0\u00bb600px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Le dernier train<\/p>\n Intersections<\/p>\n La cage aux oiseaux<\/p>\n Putain d\u2019amendement<\/p>\n Le th\u00e9or\u00e8me du faucon<\/p>\n Time is Time (S\u00e9rie)<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb link_text_align=\u00a0\u00bbleft\u00a0\u00bb link_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb header_4_font=\u00a0\u00bbMontserrat|700||on|||||\u00a0\u00bb header_4_text_color=\u00a0\u00bbrgba(255,255,255,0.5)\u00a0\u00bb header_4_font_size=\u00a0\u00bb14px\u00a0\u00bb header_4_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb header_4_line_height=\u00a0\u00bb1.4em\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb max_width=\u00a0\u00bb600px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n <\/a><\/p>\n info@doubleclap.be<\/p>\n +32\/473\/27.20.91<\/a><\/p>\nGallery<\/h3>\n
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